Conference
INHA, 2 rue Vivienne, 75002 / Galerie Colbert, Jacqueline Lichtenstein Auditorium
Bétonsalon, 9 esplanade Pierre Vidal-Naquet, 75013
This symposium is associated with the traveling exhibition Magnanrama: Portraits, Networks, and Current Events of Nathalie Magnan, which was presented throughout 2026 at the contemporary art centers Villa Arson in Nice, Les Capucins in Embrun, and Bétonsalon in Paris. The event is conceived as a culmination of the study of the thought and legacy of the media theorist, filmmaker, and cyberfeminist—who passed away in 2016—in light of media-tactic, feminist, and queer theories. In partnership with the Archives de la critique d’art (Rennes), which houses her archives, the conference will bring together researchers, artists, and activists to discuss the political and methodological challenges of lesbian archives, the circulation of theories and media between France and the United States, and curatorial practices within institutions.
Speakers
Archives Recherches Cultures Lesbiennes, No Anger (artist), Clélia Barbut (University of Paris 8 Vincennes–Saint-Denis), Mathilde Belouali (Les Capucins, centre d’art, Ville d’Embrun), Isabelle Carlier (ESAAA, École supérieure d’art Annecy Alpes), Cindy Coutant (HEAD, Geneva), Chloé Desmoineaux (artist), Alice Dusapin (Villa Arson, Nice), Catherine Gonnard (INA), Bénédicte Grailles (University of Angers), Antoine Idier (Sciences Po Saint-Germain-en-Laye), Élisabeth Lebovici (art critic and art historian), Marie Lechner (curator), Magali Le Mens (University of Rennes 2), Laurence Le Poupon (Archives de la critique d’art / université Rennes 2), Pascaline Morincôme (Jean Monnet University, Saint-Étienne), Peggy Pierrot (L’Erg, Brussels), Zahia Rahmani (INHA), Anne-Solène Rolland (INHA), E-J Scott (Museum of Transology, London), Marie Tchernia-Blanchard (ACA / University of Rennes 2), Elvan Zabunyan (University of Paris 1 Panthéon-Sorbonne), Giovanna Zapperi (University of Geneva)
Scientific Committee
Clélia Barbut (University of Paris 8 Vincennes–Saint-Denis), Mathilde Belouali (Les Capucins Contemporary Art Center, Embrun), Cindy Coutant (HEAD, Geneva), Damien Delille (INHA), Vincent Enjalbert (Bétonsalon Art Center), Magali Le Mens (University of Rennes 2), Peggy Pierrot (L’Erg, Brussels), Reine Prat (author), Émilie Renard (Bétonsalon Art Center), Marie Tchernia-Blanchard (ACA / University of Rennes 2)
In partnership with the INHA, the Archives de la critique d’art (Rennes), the Les Capucins Contemporary Art Center (City of Embrun), the University of Paris 8, and the University of Rennes 2