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  • Bétonsalon - Center for Art and Research

    9 esplanade Pierre Vidal-Naquet

    75013 Paris
    +33.(0)1.45.84.17.56
    Postal address
    Bétonsalon - Center for Art and Research
    Université de Paris
    5 rue Thomas Mann
    Campus des Grands Moulins
    75205 Paris Cédex 13
  • Un· Tuning Together. Practicing listening with Pauline Oliveros
  • Events
  • OFF-SITE "Earth Ears, listening to the Earth with Pauline Oliveros", at the Aperto, Fondation d’entrerpise Pernod Ricard
  • Artmaking workshops
  • Workshop with Emily Mast, September 2023
  • Workshop with Anna Holveck, October 2023
  • Système/Berceuse, per­for­mance with Violaine Lochu, November 2023
  • Collaboration with Julia E Dyck, November 2023
  • FULLY BOOKED · workshop with Célin Jiang, november 2023
  • FULLY BOOKED · Workshop with Christopher Willes, Ellen Furey and Brendan Jensen, November 2023
  • STUDY DAYS “The Listening Effect”, Laboratory Space Brain, Station 24, November 2023
  • Press release
  • Floor Plan
  • Exhibition journal
  • Système/Berceuse, per­for­mance with Violaine Lochu, November 2023

    Système/Berceuse, per­for­mance with Violaine Lochu
    Saturday, November 4, from 2pm to 6pm, continuously

    Signal Mouvement, performance, 2019, Ateliers Vortex. Credits Ateliers Vortex

    Violaine Lochu sees herself as an heir to Pauline Oliveros, whose works accompany her in every creation. There are many similarities between her practice and that of the American composer.
    For this exhibition, the artist was inspired by Lullaby for Daisy Pauline, a meditation com- posed by Oliveros on the birth of her niece, which invites participants to sing the “mmm” sound, “the sound of pleasure”, “to their favour- ite baby or to themselves”. With Lullaby system, Violaine Lochu explores the lullaby as a mode of relationship, as a way of taking care of one- self and others.
    While it touches the most intimate part of us, it also connects us to traditions handed down from generation to generation, usually by women.
    Violaine Lochu, accompanied by three guests whose practices lie at the crossroads of music and somatic care—Alixe Llamas, Soledad Chevalier and Cathy Gringelli—will be experi- menting with the various aspects of the lullaby during a period of collective research at Béton- salon. They will be improvising “experimental lullabies” combining the tactility of sound
    and the sonority of gesture.
    Visitors will be able to experience the emotional power of the lullaby and the way it touches bodies and minds in a final performance that will alternate between collective moments and more private situations where the songs will be addressed to them personally.

    Violaine Lochu

    Born in 1987, Violaine Lochu lives and works between Montreuil in France and Cotonou in Benin.

    Violaine Lochu’s work explores voice and language, as well as notions of transformation and catharsis. Her artistic practice spans the fields of contemporary art, experimental music and sound poetry. Her projects begin with a phase of immersion in a specific environment, in which she gathers various sound, narrative and visual elements. From this material, she creates performances and installations in which sound, video and drawing interact, through collage, recomposition and reinvention.

    The fictional worlds she invents unfold according to their own logic, while at the same time echoing our contemporary world and the issues that affect it (us). Based on these questions, Violaine Lochu questions and subverts classic oppositions - dream/reality, true/false, feminine/masculine, science/magic, etc. - and seeks to create new narratives.

    Winner of the 2018 Aware prize and the 2017 performance prize at the Salon de la Jeune Création, she has performed at the Centre Pompidou, the Palais de Tokyo, Parade for FIAC 2017, the Jeu de Paume, the Playground festival in Leuven (Belgium) and the Performative festival at MAXXI in L’Aquila (Italy), among others, Ars Poetica in Bratislava (Slovakia), at the Quadrum gallery in Lisbon (Portugal), at the Kunstverein in Munich (Germany), at the Centre d’Art Contemporain in Geneva (Switzerland), at the Rickundgarden Museum (Sweden), at the Centre in Cotonou (Benin), at the théâtre le 4e art in Tunis...

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