Fanette Lambey was born in 1997 in Dole (Jura). A graduate of ENSBA Lyon in 2023, she lives and works in Paris. She is the recipient of the Dufraine Prize (2023) and the Prix de Paris (2023). Her work is built around acts of translation, citation, and plagiarism. Guided by the concept of intertextuality, she collects images and texts that she attempts to reveal or neutralize through their juxtaposition. The installations she constructs weave pre-existing or supposed connections, oscillating between ambiguities and meaningful ruptures. Within these, she seeks to subvert the authority of what she considers to be a hegemonic language, of those who speak and transmit it, using tools of common language such as misunderstanding and implication. In 2024, Fanette Lambey was a resident of the ENSBA Lyon x Cité internationale des arts program.

Wendy Osu lives and works between Paris and Amsterdam. She is a graduate of the Nantes School of Fine Arts (DNAP, 2016) and the Design Academy Eindhoven (Netherlands, 2021), she develops a multidisciplinary artistic practice combining video, textiles, publishing, and installation. Her projects explore themes of transmission, community, ritual, and sociology—particularly through the lens of Afro-descendant cultures. She is interested in how social codes emerge, are invented, and transmitted, especially through clothing, which she sees as a language in its own right.

Wendy Osu has presented her work at the New Institute in Rotterdam, the Temporary Art Center in Eindhoven, and Café Collective in Aubervilliers. She has also led workshops for Store Projects (2022) and for the Palais de Tokyo. In 2021, she was nominated for the Social Design Awards in Eindhoven for her project Hidden Heritages, a documentary film examining African hairstyles as reflections of social structures—religious, ethnic, and political. In 2023, she took part in the Artagon creative residency in Pantin, continuing her commitment to collaborative practices where creation becomes a space for dialogue and shared memory.

Trained at the CNSMD (National Conservatory of Music and Dance) in Paris, Clémence furthered her training at the Merce Cunningham Studio in New York and at EXERCE, the training program of the National Choreographic Center (CCN) of Montpellier.

She began her career as a performer alongside Herman Diephuis, and went on to work with Christian Bourigault, Olivia Grandville, Loïc Touzé, and Emmanuelle Huynh. Between 2008 and 2014, she continued her career with choreographers Pierre Droulers, Fabrice Lambert, David Wampach, Hélène Iratchet, and Xavier Le Roy. Clémence worked with Compagnie DCA – Philippe Decouflé from 2006 to 2019. She performed in the creations Sombrero, Octopus, and Contact, and collaborated on all of the company’s related projects, including Tout doit disparaître in fall 2019 at the Palais de Chaillot.

In addition, she regularly assists choreographers, actors, and singers (including Philippe Decouflé — for Bruno Dumont’s feature film Jeannette, Dimitri Chamblas, Léo Lérus, Tatiana Julien, Marie Vialle, and Nosfell). More recently, Clémence has performed in the works of Ondine Cloez, Tatiana Julien, Fabrice Ramalingom, Ivana Müller, Valeria Giuga, and Sylvain Riéjou. Since 2021, she has been co-creating, with Juliette Médevielle, Danse sur écoute, a radio series that highlights the profession of performer in the field of contemporary dance. 

Soa Ratsifandrihana is a dancer and choreographer. After studying at the Conservatoire National Supérieur de Musique et de Danse in Paris, Soa worked with James Thierrée, Salia Sanou, and Anne Teresa De Keersmaeker. In October 2021, she premiered her first solo, g r oo v e, in Brussels. The performance has been staged over forty times and continues to tour across Europe. In parallel, Soa created a diptych through which she tells a story she wishes she had heard as a child. The two parts of this diptych take the form of a radio creation titled Rouge cratère and a stage performance titled Fampitaha, fampita, fampitàna. Building on the approach of her first solo, she explores the possible entanglements between radio storytelling, choreographic and musical composition—reminding us that our bodies, just like our words, carry stories. Soa is an associate artist at the Kaaitheater from 2023 to 2025.