
Closing event of the “The Tick Present” writing residency
With Phoebe Hadjimarkos Clarke and Quentin Baghi, Matisse Crespo, Caroline Derniaux, Xavier Dizambourg, Enora Luce, Pauline Mabit, Elena Maj, Priscila Rosas Martínez, participants of the “Grieving-With” writing workshop; and Nathalie Blanc, Émilie Renard, and Elena Lespes Muñoz
• 7:00 pm: Introduction.
• 7:30 pm: Radio broadcast in collaboration with *Duuu Radio on the occasion of the upcoming anthology Comment l’Océan s’est illuminé. With Quentin Baghi, Matisse Crespo, Caroline Derniaux, Xavier Dizambourg, Phoebe Hadjimarkos Clarke Enora Luce, Pauline Mabit, Elena Maj and Priscila Rosas Martínez.
Comment l’Océan s’est illuminé (“How the Ocean Lit Up”) offers a fragmented yet sensitive perspective on a pivotal moment in our recent history: the “Great Fire” of June 23, 2030, whose 50th anniversary we commemorate today. This fire destroyed the Bois de Vincennes (Paris, France) and triggered a chain of events with profound ecological, cultural, and psychological repercussions. The anthology revisits the emergence of the mysterious Conscience B—an elusive, luminous entity still not fully understood—as well as the strange behaviors of the mourning starlings, whose songs began to mimic the sound of fire and whose bodies gave rise to peculiar fungi, part-plant, part-bird. These fungi, like the forest’s ashes, were ingested by humans, paving the way for new forms of perception, new sensitivities, and perhaps even a kind of interspecies communication—or a collective hallucination. Rather than offering an exhaustive scientific account of the event, the anthology seeks to explore its intimate, emotional, and symbolic consequences, particularly through the voices of the “children of the fire,” a generation forever marked by loss, sensory transformation, and the emergence of an other kind of consciousness. Through fragments, it aims to capture the moment that forever redefined how we see and inhabit the world since.
Comment l’Océan s’est illuminé, featuring texts by Quentin Baghi, Matisse Crespo, Caroline Derniaux, Xavier Dizambourg, Enora Luce, Pauline Mabit, Elena Maj, Priscila Rosas Martínez, French edition, graphic design by Clara Degay & Charlotte Carletto, published by Bétonsalon, Centre des Politiques de la Terre and Université Paris Cité, Paris, 2080.
Published in the framework of the “Grieving-With” writing workshop lead by Phoebe Hadjimarkos Clarke, 2025.
• 8:15 pm: “Shifting Writing Practices: Between Research and Fiction” – a collective discussion with the participants of the “Grieving-With” writing workshop, Phoebe Hadjimarkos Clarke, Nathalie Blanc, Émilie Renard, and Elena Lespes Muñoz
What can fiction do to science? How can a writing practice inform a research practice? How can science-fiction writing act on the structures of our imaginaries and enable us to outline enviable and breakaway futures? This discussion aims to collectively revisit these questions and explore how the practice of writing, as developed through the workshops and events held during Phoebe Hadjimarkos Clarke’s residency at Université Paris Cité, has questioned—and even shifted—academic writing practices, allowing new forms of sharing and knowledge to emerge.