ADAGP / Bétonsalon Grant 2022
Exhibition from May 10th to July 13th, 2023.
An exhibition at Bétonsalon – Center for Art and Research
Reasearch and Production Grant
ADAGP / Bétonsalon 2022
The artistic committee of the ADAGP / Bétonsalon Grant met on May 23th, 2022 and chose Abdessamad El Montassir as laureate. He is the fifth artist benefiting from this grant after franck leibovici (2017), Liv Schulman (2018), Euridice Zaituna Kala (2019) and Anne Le Troter (2021).
The ADAGP / Bétonsalon grant, formerly associated with Villa Vassilieff, amounts to 20,000 euros and aims to accompany an artist in the development of a research, during several months. Bétonsalon – Center for art and research accompanies the artist in their research and production process, the artist receives a 5,000 euros honorarium and 10,000 euros for production.
Abdessamad El Montassir © Franck Alix & La Cinémathèque de Toulouse.
THE ARTISTIC PROJECT: MEMORY OF ASHES [MÉMOIRE DES CENDRES]
Originally from the Sahara South of Morocco (Western Sahara), Abdessamad El Montassir grew up in the town of Boujdour. This is the region where the project Mémoire des cendres [Memory of Ashes] is located, a project he would like to develop with the research and production grant he received from ADAGP / Bétonsalon.
In this research, Abdessamad El Montassir wants to evoke the invisibility of the recent history of the Sahara, the traumas it has experienced and the way they are transmitted. He will attempt to test alternative means of transmission that respect the right to be forgotten, and the way these traumas can be the basis for a new form of historization. What happens to stifled memories, confiscated from collective imagination? What can images show or recount? How do you share “emptiness”, “absence”, “a ghost”? What shape does one give to forgetting?
Until 1991, the Sahara South of Morocco was the backdrop to a long conflict that left Saharan civil society deeply wounded. The populations settled in urban areas to escape the conflicts, putting an end to their traditional lifestyle, their freedom of movement, and above all, various ancestral forms of transmission. Today, despite à ceasefire approved by the UN, tensions still exist.
Using Sahara South of Morocco as the main study site for new forms of creation and experiments with transmission of memory, this project will be inspired by the book Necessità dei volti and its annexes, preserved at the Kandinsky Library. There are very few copies of this book; not a single one exists in the region. Thus, despite this publication, there are still no local archives. This absence of archive opens with questions that concern the possession and spread of images, particularly when they involve war or colonization situations: Who is speaking? From where? Instead of whom?
With this project, Memories of Ashes [Mémoire des cendres], Abdessamad El Montassir will envisage future trajectories of individual, collective, human and non-human identities, in response to the absence of a narrative and the amnesia that haunt the Sahara.
ABDESSAMAD EL MONTASSIR
Born in 1989 in Boujdour, Morocco.
Lives and works between Boujdour and Marseille.
Abdessamad El Montassir’s research focuses on a trilogy begun in 2015: the right to be forgotten, fictional and visceral narratives, and the trauma of anticipation.
Abdessamad El Montassir is a graduate from the Tetouan National institute of Fine Art and holds a master’s degree in Artistic Production and Aesthetic Education from the École Normale Supérieure in Meknès.
From 2017 to 2020, he was an artist-researcher affiliated to the l’IMéRA – Institut Méditerranéen d’Études Avancées in Marseille.
His work has been shown at several national and international exhibitions, including Quand je n’aurai plus de feuille curated by Gabrielle Camuset, at la Villa du Parc à Annemasse, Ce qui s’oublie et ce qui reste curated by Meriem Berrada and Isabelle Renard, at the Musée national de l’histoire de l’immigration in Paris, Demain c’est seulement dans un jour online, curated by Taous R. Dahamni for Le Jeu de Paume Lab, Surgir des cendres in the context of Chroniques - biennial of digital imaginaries in Aix-Marseille, Invisible curated by Alya Sebti for the 13th biennial of contemporary African art in Dakar and the ifa-Galerie in Berlin, Leave No Stone Unturned curated by Clelia Coussonnet, at Cube - independent art room in Rabat, De liens et d’exils at La Villa Empain - Fondation Boghossian in Brussels, Saout Africa(s) in the context of Documenta 14, at SAVVY Contemporary à Berlin.
Abdessamad El Montassir has also participated in several artists’ residencies including Solitude Fellows at the Akademie Schloss Solitude in Stuttgart and the Programme Art, Science et Société à l’IMéRA in Marseille.
An integral part of Abdessamad El Montassir’s research is his regular participation in conferences and his collaboration with research institutions like the Institute for Cultural Inquiry in Berlin or l’Institut Méditerranéen de la Biodiversité et d’Ecologie marine et continentale in Marseille.
Abdessamad El Montassir, Galb’Echaouf, 2021
HD video, stereo sound, 18’43’’
Project supported by AFAC - The Arab Fund for Arts and Culture,
Institut français du Maroc, Pro Helvetia Cairo, Embassy of Foreign Artists,
Le Cube - independent art room, Rabat et La Maison Salvan, Labège.
© Abdessamad El Montassir / ADAGP.
Abdessamad El Montassir, Galb’Echaouf, 2021
HD video, stereo sound, 18’43’’
Project supported by AFAC - The Arab Fund for Arts and Culture,
Institut français du Maroc, Pro Helvetia Cairo, Embassy of Foreign Artists,
Le Cube - independent art room, Rabat et La Maison Salvan, Labège.
© Abdessamad El Montassir / ADAGP.
Abdessamad El Montassir, Al Amakine, 2016-2020
Installation of light boxes and sound room 8.1.
Project supported by Le Cube – independent art room, Rabat, Carte
Blanche by Al Safar, l’Institut Français du Maroc, Pro Helvetia Cairo, l’IMéRA
with the help of Labex RFIEA+, the Chronicles platform coordinated by SECONDE
NATURE and ZINC and the gmem-CNCM-Marseille.
View of the installation at the biennial Chroniques, by Pierre Gondard.
© Abdessamad El Montassir / ADAGP.
ARTISTIC COMMITTEE 2022
Eva Barois, independent curator, art critic and editor
Katia Kameli, artist affiliated to ADAGP
Anne Le Troter, laureate of the 2021 grant
Nicolas Liucci-Goutnikov, curator, head of Bibliothèque Kandinsky
Émilie Renard, director of Bétonsalon
THE ADAGP / BÉTONSALON RESEARCH AND PRODUCTION GRANT
This grant is intended to allow an artist to develop a six-month research project on questions of representation, production and circulation of images, based on one or more photographic collections of the Kandinsky Library that they can identify. These reflections can belong to the field of art - rereading of art histories, exploration of ignored and marginalized life paths, composition of new artistic lineages... - but also in the very materiality of photographic images - their making, archiving, reproduction, exhibition and multiple forms of circulation.
ABOUT ADAGP
Created in 1953, ADAGP is the French royalty collecting and distribution society in the field of graphic and visual arts.
Supported by a global network of almost 50 sister companies, it currently represents more than 110 000 artists in all disciplines of visual arts: painting, sculpting, photography, architecture, design, comic strips, manga, illustrating, street art, digital creation, video art and so on.
ADAGP manages all the property rights held by artists (resale right, reproduction right, right of public communication, collective rights), for all modes of use: books, media, advertising, merchandise, auctions, gallery sales, television, video on demand, websites, user sharing platforms and so on.
Thanks to its rich, diverse catalogue, it is now one of the biggest collecting societies in the world.
ABOUT BIBLIOTHÈQUE KANDINSKY
The Kandinsky Library, documentation and research center of the Musée National d’art Moderne - Centre de Création Industrielle at the Centre Pompidou, preserves and makes available to a specialized audience important archives and documentary collections on 20th and 21st century art.
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