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  • Bétonsalon - Center for Art and Research

    9 esplanade Pierre Vidal-Naquet

    75013 Paris
    +33.(0)1.45.84.17.56
    Postal address
    Bétonsalon - Center for Art and Research
    Université de Paris
    5 rue Thomas Mann
    Campus des Grands Moulins
    75205 Paris Cédex 13
  • Off-site - Cultural and artistic education project / 2018-2019
  • Ève Chabanon: The Surplus of the non-producer
  • Catherine Rannou: Grand Mesnil Express
  • The Bondy Blog: My city will stay
  • Catherine Rannou: Grand Mesnil Express

    Bétonsalon – Center for art and research, requested the artist and archi­tect Catherine Rannou to con­duct a pro­gram for high school stu­dents at the W. A. Mozart High School in Le Blanc-Mesnil. Six Thursdays, from 3pm to 6pm, from January to March, work­shops, meet­ings and out­ings with archi­tects were orga­nized. The out­come of this pro­ject led to the pro­duc­tion of a film com­bining fic­tion and doc­u­men­tary.

    WITH :
    Ahmed Kerraz (Professor of Economic and Social Sciences), Olivier Faurisson (Professor of History and Geography)

    FILM CREW:
    Thierry Goron (chief oper­ator), Catherine Rannou (sound recording)

    PROJECT COORDINATION:
    Mathilde Assier, Fanny Spano

    WITH THE SUPPORT OF :
    La Société du Grand Paris
    A big thank you to Juliette Giovannoni, Culture and Creation Project Manager


    SESSION 1: THURSDAY, JANUARY 10, 2019

    Meeting with Catherine Rannou: Understanding archi­tec­ture

    The high school stu­dents build a story around the tex­tures and details of the school’s archi­tec­ture, using their smart­phones, slates and tracing paper. This is fol­lowed by a dis­covery of the court­yard Monument, a art­work cre­ated as part of the cul­tural 1% of the building. The stu­dents col­lec­tively asked them­selves about their own homes and their daily lives.

    It was an oppor­tu­nity to realize that many people lived in homes designed by archi­tects pre­sented by Catherine Rannou. Before embarking on a series of meet­ings with archi­tects, Catherine Rannou sug­gested that the stu­dents think about a few points : does an archi­tect stand out phys­i­cally? Does he or she have any OCD? Special ways of expressing him­self or her­self? What type of vocab­u­lary does he or she use?


    SESSION 2: THURSDAY, JANUARY 17, 2019

    Meeting with Marie Hélène Badia & Didier Berger: The world of archi­tec­ture and its func­tioning

    The first of a series of meet­ings with archi­tects who have built build­ings at Le Blanc Mesnil. Badia & Berger designed the the­atre and mul­ti­media library located on the same esplanade as the high school. The objec­tive was to dis­tin­guish the urban planner from the archi­tect and the land­scaper. This ses­sion also allowed stu­dents to under­stand how an archi­tec­tural firm works, to meet with the notions of "public or pavilion equip­ment", essen­tial to the devel­op­ment of the urban fabric and social well-being.


    SESSION 3: THURSDAY, JANUARY 24, 2019

    Meeting with Laurent Tixador: Touching the archi­tec­ture

    Laurent Tixador, an artist of do-it-your­self and expe­ri­ence in its broadest sense, invites stu­dents to think about archi­tec­ture in a new way again. The exer­cise of the day for this third ses­sion is manual, it is about making the habitat of one’s dreams in pasta.

    With this everyday food and glue guns, high school stu­dents are ready to dis­cover the terms of “model”, “spa­tial pro­jec­tion” and “scale”. The bound­aries between the trades are blurred again because it is an artist who comes to talk about archi­tec­ture.


    SESSION 4: THURSDAY, JANUARY 31, 2019

    Meeting with Iwona Buczkowska: Visiting and feeling the archi­tec­ture

    Iwona Buszkowska is an archi­tect who knows LeBlanc Mesnil very well, having built a social housing dis­trict, "La Pièce Pointue", in wood frame - a pro­ject that has won sev­eral awards. Students learn that the neigh­bor­hood where they live was in the 1980s the place con­cen­trating public com­mis­sions and com­mitted archi­tects.

    Students and teachers are then on their way to a detailed tour of these build­ings with the archi­tect. Always equipped with their slates, stu­dents are invited to select and then redraw struc­tural details of the archi­tec­ture from the out­side and then from the inside.


    SESSION 5: THURSDAY, MARCH 14, 2019

    Shooting 1/2 work­shops and group dis­cus­sions: Talking about archi­tec­ture as an archi­tect

    For this first shooting ses­sion, in order to make the film, the stu­dents are sep­a­rated into small groups to free their speech. From work­shop to work­shop, they are invited to talk about the archi­tect’s clothing and atti­tude in a playful and cliché way, to ques­tion the “Grand Paris” pro­ject and its eco­log­ical inno­va­tions, to study closely the lex­ical field of archi­tec­ture and to express them­selves about the binary oppo­si­tion between the sub­urbs and Paris. Young grad­uate artists Naomi Lulendo, Fanny Spano and Romain Grateau and art his­to­rian in training, Olivia Cissé, lead these work­shops.


    SESSION 6: THURSDAY, MARCH 28, 2019

    Shooting 2/2 work­shops and group dis­cus­sions: Recreating the archi­tec­ture around you

    For the second shooting ses­sion, new work­shops are offered to the class divided in two, and, in turn, vol­un­teer stu­dents tes­tify about their expe­ri­ence in front of the camera in a quiet room. What could be better than the mobile phone as a tool for under­standing an envi­ron­ment?

    In the school­yard, work­shops follow one another: filming a detail of archi­tec­ture in trav­el­ling, pho­tographing hands on archi­tec­ture, filming the draw­ings of high school stu­dents en abyme in the archi­tec­ture. High school stu­dents must send each pro­duc­tion to a specific email address so that Catherine Rannou can col­lect all the videos and photos that will be included in the film. This last ses­sion ends with a sum­mary of the prece­dent ones and a dis­cus­sion on the future of the film and the future stages of the pro­ject.

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