• About Menocchio we know many things.
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    View of the exhi­bi­tion "About Menocchio, we know many things." Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Mounira Al Solh, Let’s Not Swim Then, 2007-2008, from the pro­ject The Sea is A Stereo, 2007-2010, screen shot of the video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Sfeir-Semler Gallery, Beirut-Hamburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Anahi Alviso-Marino, pho­tographs, video on pow­er­point and objects linked with the rev­o­lu­tion in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Anahi Alviso-Marino, doc­u­men­tary and stickers linked with the rev­o­lu­tion in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Anahi Alviso-Marino, objects linked with the rev­o­lu­tion in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    Anahi Alviso-Marino, cap­tions of objects linked with the rev­o­lu­tion in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012.
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    View of the exhi­bi­tion "About Menocchio, we know many things." Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with doc­u­ments linked with the life and tra­jec­tory of Michèle Firk (film­maker, critic and activist). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with doc­u­ments linked with the life and tra­jec­tory of Michèle Firk (film­maker, critic and activist). Exhibition "About Menocchio, we know many things." Bétonsalon, Paris, 2012. © Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with a pho­tograph of the Positif’s team : Michèle Firk, ?, Annie Tresgot, Bernard Chardère, ?, Paul-Louis Thirard, Paris, 1950s. Bétonsalon - Center for Art and Research, Paris, 2012. Courtesy Annie Tresgot.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with a pho­tograph of Janette Habel, Sara Gomez and Michèle Firk in La Habana, Cuba, 1963. Bétonsalon - Center for Art and Research, Paris, 2012. Courtesy Annie Tresgot.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Michèle Firk, Letter to open in case, May 17, 1967. Bétonsalon - Center for Art and Research, Paris, 2012.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with a family album made by Lyliane Firk. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Tricontinental, n°65, 1970. Bétonsalon - Center for Art and Research, Paris, 2012.
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    Ugo Ulive, "La muerte de un critico de cine" pub­lished in Marcha (Uruguay), October 1918.
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    View of the exhi­bi­tion "About Menocchio, we know many things." Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, instal­la­tion. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, instal­la­tion. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, instal­la­tion. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, instal­la­tion. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Carole Roussopoulos, Lip 5 : Christiane et Monique, 1976, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole Copyright: Association Carole Roussopoulos.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Mounira Al Solh, Paris Without a Sea, 2007-2008, from the pro­ject The Sea is A Stereo, 2007 - 2010, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Sfeir-Semler Gallery, Beirut-Hamburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Peter Weiss, Visages dans l’ombre, 1956, video and Pierre Joseph & Jacques Rivet, Interview de Jean Joret, traceur de coque, 2011, book. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Michel François, Untitled, 1993, pho­tographs & pants pockets filled with plaster, pri­vate col­lec­tion, France. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Michel François, Untitled, 1993, pho­tographs & pants pockets filled with plaster, pri­vate col­lec­tion, France (detail). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Michel François, Untitled, 1993, pho­tographs & pants pockets filled with plaster, pri­vate col­lec­tion, France (detail). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Michel François, Untitled, 1993, pho­tographs & pants pockets filled with plaster, pri­vate col­lec­tion, France (detail). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, instal­la­tion, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, instal­la­tion, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, instal­la­tion, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, instal­la­tion, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, instal­la­tion, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    Vue de l’expo­si­­tion "De Menocchio, nous savons beau­­coup de choses." avec Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, instal­la­tion, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Etel Adnan, Untitled, 2010, oil on canvas. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Etel Adnan & Sfeir-Semler Gallery, Beirut-Hamburg.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with The Berwick Street Collective, Nightcleaners (Part 1), 1972-1975, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy The Berwick Street Collective & LUX, London.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with The Berwick Street Collective, Nightcleaners (Part 1), 1972-1975, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy The Berwick Street Collective & LUX, London.
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    View of the exhi­bi­tion "About Menocchio, we know many things." with Facsimile of hand-written letter linked with the case of the slave Furcy, Archives départe­men­tales de la Réunion. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    Facsimile of hand-written letter linked with the case of the slave Furcy, Archives départe­men­tales de la Réunion.
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    Facsimile of hand-written letter linked with the case of the slave Furcy, Archives départe­men­tales de la Réunion.