
at Université Paris 8, room A283
Lecture by Euridice Zaituna Kala, as part of the lecture series “Action ~ Scores: Returns to the Futures,” curated by Clélia Barbut, in partnership with Université Paris 8 Vincennes–Saint-Denis.
From March to May 2023, Mozambican artist Euridice Zaituna Kala (born 1987) was in residence at the Villa Medici in Rome, conducting research on her compatriot, the painter Bertina Lopes (1924–2012).
Born in Maputo (then Lourenço Marques), Mozambique—at the time a Portuguese territory—Bertina Lopes grew up in a context marked by colonial repression. After studying art in Lisbon, she returned to Mozambique, where she taught and became close to anti-colonial intellectuals and poets, key figures of the future resistance movement. Because of her political activities, she was harassed by the Salazar regime. In 1964, she went into exile in Rome, where she lived for the rest of her life with her husband, the Italian painter Francesco Confaloni. From the 1960s to the 1980s, her work was characterized by a vibrant expressionism and deeply political themes — critiques of Portuguese colonialism, war, exile, and suffering, but also resistance and hope. Euridice Zaituna Kala will share her reflections on her residency in Rome — undertaken while she was pregnant — during which she explored Bertina Lopes’s archives, as well as the series of works that emerged from this experience.
Euridice Zaituna Kala
Euridice Zaituna Kala (born 1987) is a Mozambican artist and educator, living and working in Maisons-Alfort, France. She holds a degree in experimental photography from the Market Photo Workshop in Johannesburg (2012) and the Asiko School in Maputo (2015). She was awarded the Villa Vassilieff / ADAGP Grant (2019–2020) for Je suis l’archive, I the archive (2020). She was also a finalist for the Paulo Cunha e Silva Prize (2023) and received a research residency at the Villa Albertine in New York (2023). In 2023, Euridice Zaituna Kala undertook a residency at the Villa Medici in Rome to conduct research on the Mozambican artist Bertina Lopes. Since 2015, she has presented numerous solo exhibitions in galleries and institutions, including En quelques gestes: as if two suns were setting (2024) at Galerie Anne Barrault in Paris and Daylighting, mais c’est l’eau qui parle (2025) at the contemporary art center La Criée in Rennes.
Lecture Series at Université Paris 8 Vincennes–Saint-Denis, in partnership with Bétonsalon – Center for Art and Research.