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    View of the exhi­bi­tion "Insoluble solids", Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Blinky Palermo, unti­tled, 1971. Courtesy Galerie Karsten Greve, Köln. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Blinky Palermo, unti­tled, 1971. Courtesy Galerie Karsten Greve, Köln. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Cyril Dietrich, Untitled (Die totale ther­apie), 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids", Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids", Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Cyril Dietrich, Untitled (Die totale ther­apie), 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Nina Beier and Marie Lund, The Archives (Stopp die Kriegsvoreitung), 2008, The Archives (Der Pazifismus bre­itet sich beden­klich aus), 2008, The Archives (Rüstung bedroht uns schon im Frieden), 2008. Courtesy Laura Bartlett Gallery, London. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Nina Beier and Marie Lund, The Archives (Stopp die Kriegsvoreitung), 2008, The Archives (Der Pazifismus bre­itet sich beden­klich aus), 2008, The Archives (Rüstung bedroht uns schon im Frieden), 2008. Courtesy Laura Bartlett Gallery, London. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Nina Beier and Marie Lund, The Archives (Stopp die Kriegsvoreitung), 2008, The Archives (Der Pazifismus bre­itet sich beden­klich aus), 2008, The Archives (Rüstung bedroht uns schon im Frieden), 2008. Courtesy Laura Bartlett Gallery, London. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Nina Beier and Marie Lund, The Archives (Stopp die Kriegsvoreitung), 2008. Courtesy Laura Bartlett Gallery, London. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Adaptable Habitat (mud wasp nest on recy­cled auto tire carpet tile), 2006. Courtesy Patricia Asback, Centre Culturel Andratx, Majorque. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Adaptable Habitat (mud wasp nest on recy­cled auto tire carpet tile), 2006. Courtesy Patricia Asback, Centre Culturel Andratx, Majorque. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Adaptable Habitat (mud wasp nest on recy­cled auto tire carpet tile), 2006, detail. Courtesy Patricia Asback, Centre Culturel Andratx, Majorque. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Accessories to an event, 1996. Courtesy Galerie Klosterfelde, Berlin. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Accessories to an event, 1996, cour­tesy Galerie Klosterfelde, Berlin and Wolfgang Schindler, Zwanzigmilliarden Lichtjahre, 1988. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Accessories to an event, 1996, detail. Courtesy Galerie Klosterfelde, Berlin. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 207.6 kb
    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Accessories to an event, 1996, detail, cour­tesy Galerie Klosterfelde, Berlin and Wolfgang Schindler, Zwanzigmilliarden Lichtjahre, 1988. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 213.5 kb
    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Accessories to an event, 1996, detail, cour­tesy Galerie Klosterfelde, Berlin and Wolfgang Schindler, Zwanzigmilliarden Lichtjahre, 1988. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 178.9 kb
    View of the exhi­bi­tion "Insoluble solids" with Dan Peterman, Accessories to an event, 1996, detail, cour­tesy Galerie Klosterfelde, Berlin and Wolfgang Schindler, Zwanzigmilliarden Lichtjahre, 1988. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 159.6 kb
    View of the exhi­bi­tion "Insoluble solids", Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 97.9 kb
    View of the exhi­bi­tion "Insoluble solids" with Aurélien Mole, Noorderlicht, 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Aurélien Mole, Noorderlicht, 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Francesco Gennari, Il luogo dove non c’è più posto per la con­scienza (angolo n.1’), 2008. Courtesy Galleria Zero, Milan. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Francesco Gennari, Il luogo dove non c’è più posto per la con­scienza (angolo n.1’), 2008, detail. Courtesy Galleria Zero, Milan. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 161.1 kb
    View of the exhi­bi­tion "Insoluble solids" with Francesco Gennari, Studio per scul­tura volante (nuovo sole pagano), 2007. Courtesy the artist and Johnen Gallery, Berlin. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 179.8 kb
    View of the exhi­bi­tion "Insoluble solids" with Francesco Gennari, Studio per scul­tura volante (nuovo sole pagano), 2007, detail. Courtesy de l’artiste and Galerie Johnen, Berlin. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 80.3 kb
    View of the exhi­bi­tion "Insoluble solids", Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 139.4 kb
    View of the exhi­bi­tion "Insoluble solids", Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 78.9 kb
    View of the exhi­bi­tion "Insoluble solids" with Franz Gertsch, Schwarzwasser I, 1990-1991, col­lec­tion Franz Gertsch Museum. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Frédéric Pradeau, Tapis de pous­sière, 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
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    View of the exhi­bi­tion "Insoluble solids" with Frédéric Pradeau, Tapis de pous­sière, 2008, detail. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 47.1 kb
    View of the exhi­bi­tion "Insoluble solids" with Cyril Dietrich, unti­tled, 2008 and Untitled (Die totale ther­apie), 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 100.3 kb
    View of the exhi­bi­tion "Insoluble solids" with Cyril Dietrich, unti­tled, 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 125.3 kb
    View of the exhi­bi­tion "Insoluble solids" with Cyril Dietrich, unti­tled, 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole
    JPEG - 57.3 kb
    View of the exhi­bi­tion "Insoluble solids" with Cyril Dietrich, Untitled (Die totale ther­apie), 2008. Bétonsalon - Center for Art and Research, Paris, 2008-2009. Image: Aurélien Mole

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